Posts Tagged ‘ Japanese ’
Ferrari Maserati celebrates new showroom opening in Repulse Bay, organized by Ferrari Maserati of Hong Kong and I.T hosted with special guest Ferrari 458 Italia GT3, a mark of collaboration of A Bathing Ape (a Japanese clothing company) with NIGO.
Japanese distillery Suntory will release a special-edition blended whisky to celebrate the 50th anniversary of the legendary Rolling Stones. The whisky will go on sale on Oct. 30 and will come in a bottle shaped in the band’s familiar tongue and lips design. Only 150 bottles will be offered. Six whiskys will be blended for the limited edition version, and each ingredient will come from a year of special significance to the Stones. A 1962 Yamazaki represents the year the band was formed, while a 1971 pays tribute to the introduction of the tongue and lips logo. A 1972 Yamazaki malt has been chosen as the year that “Exile on Main St.” was released (the album is significant to Suntory because it includes “Rocks Off,” a song used in its commercials). The other whiskys in the blend will be a Hakushu malt and a Chita grain, both from 1990, when the Stones made their first trip to Japan. Like tickets to the Stones’ concerts, the whisky will not come cheap. Suntory is planning a retail price of 500,000 yen ($6,300) for each 700-ml crystal bottle.
Variations of glittered deformations form the basis for a grotesquely beautiful motif in the works of Japanese artist 非(xhxix). Digitally sketching, drawing, and painting everything using Photoshop alone, 非 visualizes loneliness in his subjects and decorates them with scars, layers of geometric abstractions and floral imagery. As most of his subjects are young men, the artist explains that “boys are more suitable to express loneliness as women are emotional and powerful.” Concocting images of isolated pain and an ethereal sadness into haunting depictions of young western men, 非 reveals a mystified insight into the depths of the Japanese psyche.
Takamatsu is a Japanese artist whose world is coming out of a fairy tale. But this fairy tale is not like the others. Dark and violent stories where floating melancholic childish figures are either in despair either in possession of lethal killing machines. Little melancholic lolitas posing with innocence create an atmospheric mystic world. Kazuki Takamatsu mixes traditional and modern techniques. From one hand he uses gouache, hand painted monochromed based objects whilst from the other hand he uses “Depth Map” a technique where every pixel on the object is a shade of gray that is proportional to its distance from the object looking at it. The match of these two techniques give a real sense of surrealism and astonishing depth.
The method of mixing watercolor pigment with an opaque white pigment in a watercolor vehicle (made with gum arabic) is traditionally referred to as gouache. Gouache (pronounced “gwash”) comes from the Italian aguazzo, for mud. Gouache is ideal for illustration and photo-reproduction. Gouache paintings are typically done on hot pressed papers or smooth art boards, since the paint imparts most of the texture and these surfaces help to create a perfectly flat paint film. Tinted papers are also more commonly used, since the tint is easily covered wherever desired, but lends a pleasing background hue in unpainted areas.
A French video game collector just sold a collection of thousands of video games on eBay for more than $1.2 million. The collection includes every video game for many of Nintendo’s consoles, every video game for every single Sega console and also for lesser-known game consoles. In total, the collection includes 22 full sets with about 7,000 video games. The seller says he took exceptionally good care of his precious games. All are factory-sealed with original boxes and instructions. Many of the games have never been opened or played. He even kept the boxes away from direct sunlight. The efforts seem to have paid off, as a buyer from Canada has purchased the lot for the asking price of 999,999 euro (around $1.23m) for this jaw-dropping collection.
Kintaro (a.k.a. “Golden Boy”), a popular child folk hero embodying strength and bravery, appears in statues, storybooks, anime, manga, noh, kabuki and candy. He was also the subject of numerous Edo-period woodblock prints. Various legends say that Kintaro was raised by a Yamamba ogress in the mountains, where he learned to communicate with animals. As a youngster, Kintaro developed superhuman strength that enabled him to crush boulders, fight monsters and demons, uproot trees, and defeat bears at sumo. The artist Kuniyoshi has an immense collection of prints centered around Kintaro. Check the method.
You know the situation. You want to go for a ride on your bike and mix some music at the same time. Normally you’d have to settle on just doing one or the other. Not anymore. My homegirl’s jaw literally hit the floor watching this. And even I don’t even know what to say. I mean, that is simply way too dope. I can totally envision crazy competitions that involve using your skills at both biking and mixing… and I really like what I see. The technology in question is called a Turntable Ride by Cogoo.
First: watch the video. Japanese artist Riusuke Fukahori paints three-dimensional goldfish using a complex process of poured resin. The fish are painted meticulously, layer by layer, the sandwiched slices revealing slightly more about each creature, similar to the function of a 3D printer. I really enjoy the rich depth of the pieces and the optical illusion aspect, it’s such an odd process that results in something that’s both a painting and sculptural. Wonderful. Fukahori just closed an exhibition at ICN Gallery in London titled Goldfish Salvation, and you can see many more images via the gallery’s Facebook, but probably the best resource is this set of photos by Dominic Alves.
A documentary that goes behind the counter and into the life of a man who’s been called the greatest sushi chef in the world is set to open in New York Friday. Tucked away in an underground Tokyo subway station is an unremarkable-looking 10-seat eatery called Sukiyabashi Jiro which serves Michelin-starred sushi by 85-year-old Jiro Ono, the first chef in Japan to earn three Michelin stars. In trailers for the film Jiro Dreams of Sushi, filmmaker David Gelb captures the deft, economic movements of Ono’s hands as he shapes and molds the rice for his sushi and lacquers the fish with gentle brushstrokes. Sushi and sashimi are presented on black marbles slabs and diners eat in a hushed silence that speaks of their reverence for the ceremonial experience and the master sushi chef. The film is not just an ode to sushi and the octogenarian’s unrelenting pursuit of perfection, but also explores the father-son relationship and succession as the eldest son Yoshikazu is slated to take over the legendary restaurant.
In the fascinating series “Flesh Love” by Japanese artist Photographer Hal, different couples were vacuum-packed together and then photographed. I’m not exactly sure how Hal was able to do this without suffocating anyone, but part of the magic is not knowing how its done… Check the method.
Rome-based fashion house Fendi is teaming up with Italian manufacturer Inglesina for a collection of baby accessories. WWD reports December 23 that items including a stroller, pram and baby carrier have been designed in keeping with the fashion house’s classic style. Featuring the brand’s iconic “F” logo and with a color palette comprising cream, mahogany and blue, the pieces will be available at selected outlets worldwide. In 2008 Fendi teamed up with Japanese brand Aprica on infant items such as strollers and jersey-made animal puppets. The news of their new collection follows an increasing trend for designer baby pieces. Baby Dior retails infant items such as pacifiers for $50 each. Italian fashion house Versace recently opened its first Young Versace store in Milan, selling items such as leopard-print and Swarovski crystal baby bottles. Meanwhile, with labels including Vera Wang, Oscar de la Renta and Roger Vivier all announcing upcoming children’s collections this month, the tendency shows no sign of slowing down.
Sexual connotation, fantasy or secret meetings, those establishments called ‘Love Hotels’ provide kinky fun for all types seeking sexual adventure. Photographer Misty Keasler traveled Japan to documented the universe of those hotels. In her new book, Love Hotels, American photographer Misty Keasler portrays some of the newest, most creative love hotels in Japan. Check the method. If any of these places look interesting to you (LADIES)… give me your feedback.
Characters have strong attraction in packaging design. Do not underestimate a cute puppy dog character on a piece of packaging because it probably does have an effective power to attract the customers. The existence of nice character design also makes packaging feel more alive and much more fun. It can also turn plain and boring packaging in to new collectible items for the customers. Check out some interesting examples.
Meet Dekotora: the land of the rising sun’s homegrown and very cool trucker subculture that covers big rigs with neon and ultraviolet lights, colorful airbrushed murals, and shiny stainless or golden exteriors, all the while housing interiors straight out of Brewsters Millions or a 2-star Las Vegas casino, complete with elaborate chandeliers and velvet-lined seats. This stuff is WILD. Check the method.
Before I was finished writing this post, I had two people ask my WHY I would chose to put such a random topic up. During my holiday trip back home, I got into a conversation with a friend about Paranormal Activity, and during said convo, he said something to the effect of “That sh*t wouldn’t happen in any other country”. My immediate response was that Japanese folklore has a rich and terrifying tradition of all sorts of wild ghosts, ghouls, monsters, and goblins. When I had to explain some of them to him, I figured I’d throw up a post about it.
Japanese ghosts collectively known as yūrei (幽霊), and Japanese monsters collectively known as yōkai (妖怪) are arguably the most popular. But how many traditional Japanese spooks do you actually know anything about? Check the method…
Traditional Japanese beliefs state that every human being has a soul called a reikon (霊魂). After death, the reikon exits the body and enters a temporal stage where it waits for the living to perform final rites and funeral rituals for them. If these are completed properly, the reikon is satisfied and it can be at peace in death, leaving spiritual limbo and continuing on to the afterlife. This sort of reikon will become a spiritual protector of its family, looking down on its ancestors with favor.
However, if a person dies an unnatural, traumatic death, or if their final rites aren’t properly performed, the reikon becomes a yūrei and starts wreaking havoc on everyone’s sanity. The yūrei wallows in temporal space, forever yearning for whatever needs to be done for it to finally achieve peace in the afterlife. If the yūrei has strong enough emotional ties to the physical world however, it can return as a ghost. A scary ghost. These ghosts dwell on Earth, haunting its fleshy inhabitants. While all Japanese ghosts are referred to as yūrei, there are a handful of specific types differentiated mostly by the circumstances surrounding their death.
Onryō are female ghosts who were abused or neglected by their lovers in life. These ghosts dwell in the physical world seeking vengeance on those who wronged them. Strangely enough though, they rarely do actual harm to the lovers who hurt them. They are also the most common type of ghost seen in Japanese horror films. In the case of onryō, the emotions tying them to the land of the living are usually hatred or sorrow- sometimes both. So if you’re in Japan, be sure to not piss off any ladies because they might come back as onryō and ruin your life.
Women who die in childbirth or without providing for their children before death are classified as ubume. The power of their motherly love allows them to remain in the physical world to attempt to help the children they failed in life. Usually they come back to help their child in a time of need or leave gifts for them mysteriously. A mother’s duty is very important in Japan, and the stories of ubume are many.
Appearing in the form common to most Japanese ghosts, ubume are clad in robes of white, have long, unbound, disheveled hair, and are creepier than your perverted uncle Mike. Given their grim origins, the stories revolving around ubume are more sorrowful than those of onryō and focus mainly on the mother’s quest to ensure her child’s continued safety.
There’s no haunting to be had in these stories; the mother’s spirit directly interacts with her child after death, serving as a sort of guardian angel. However, in her providing for the child, the mother inadvertently leaves clues that otherworldly devices are at work. The most common sign are coins and gifts left for the child that turn into dead leaves after they’ve been discovered. Worst. Birthday. Ever.
Goryō are malicious, vengeful spirits – martyred in life and returning for revenge in the form of widespread death and destruction. Usually these spirits were those of the ruling class (the more powerful the person, the more powerful the spirit). Out of all the yūrei, goryō are undoubtedly the most dangerous. They can be incredibly powerful. They are capable of everything from destroying crops to evoking widespread natural disasters.
In medieval Japan, it was a common belief that one’s social status carried over with them into the spirit world so goryō were almost always spirits of the aristocracy. The more powerful someone was, the more likely they would return as a ghost capable of great destruction, so naturally respecting the dead was very important. On the other hand, if some jerk assassinates you for no good reason, it doesn’t really matter if there’s a shrine built in your honor because you’re going to be mighty peeved regardless.
Goryō are vengeance ghosts similar to onryō. However, their destructive ways didn’t necessarily end with the death of those who had wronged them. Only the super-cool-mountain-powered yamabushi could put these spirits to rest for good.
Zashiki-warashi are child ghosts who dwell in large, well maintained, fancy houses. They’re a squirrely bunch and really enjoy playing pranks on their fleshy housemates. However, seeing a zashiki-warashi or having one in your home is considered very lucky and can even bring fantastical fortunes.
These spirits usually appear as five or six year old children with bobbed hair and red faces. Zashiki-warashi are unique in the fact that they aren’t hell-bent on murdering everyone or seeking vengeance on those who wronged them. Instead, these ghosts just act like trouble-making kids. They’re brats, but at least they aren’t trying to drown you, right?
Once they’ve decided to haunt your home, they will demand your attention much like any bratty child would. If you choose to ignore the spirit, it will then begin to play increasingly devilish pranks on you until you acknowledge its presence. If you still don’t learn to love your forcibly adopted ghost-child, it will cry its little ghost eyes out and run away from home forever. Congratulations. You’ve failed as a ghost parent. When you die you’ll become an ubume for sure.
Despite their somewhat annoying nature, zashiki-warashi are considered lucky and are capable of bringing riches to those whose homes they inhabit. Should the family successfully adopt and care for the ghost child, they will be rewarded financially. But keep in mind, these kids are no angels. If you want those riches, you’re gonna have to work for ‘em, girl.
I’m sure many readers remember the “Fantanas”, which were Fanta’s attempt at using sex appeal to sell flavored soda. There have been a few different changes to the line up of Fantanas, but to me the originals were always the best, especially the red one (who’s actual name is K.D. Aubert… the walking Viagra pill). But it never occurred to me that in other countries, marketing directors may have gone in other directions to try and sell Fanta… until I saw the old school Japanese ads. The set of ads for Fanta below were all exclusively created for the market in Japan, and feature a different direction than the ones I was used to growing up. That being said, I don’t think I’ve laughed as hard ever in life. Check the method below, and keep in mind that there are TONS more of these ads scattered around the web.
Japanese practice Emmanuelle Moureaux Architecture + Design has completed ‘Sugamo Shinkin Bank’, a credit union located in Shimura, Japan. The design, an offset volume of rainbow-like layers, is the third branch designed by Moureaux, with the first two located in Tokiwadai and Niiza. Both the interior and exterior hit all colors in the spectrum, and at night, the entire building lights up in such a way that you’d never imagine it was only a bank.
Normally I can relate a blog post to a personal experience, or explain why something specific interest me. But this is just downright hilarious. My staff and I laughed our asses off for about 30 minutes the first time we all saw this. Japan has some of the wildest stuff, and the ‘Negro Cookie’ is near the top of the list.
If you want to see what Earth looks like from space, become an astronaut (or, barring that, a space tourist). For the next best view, pay a visit to Tokyo’s National Museum of Emerging Science and Innovation where a massive, nearly 20-foot spherical OLED orb–the world’s first large scale spherical OLED–offers a satellite’s-eye view of the planet in super high resolution.
“Geo-Cosmos” is made up of 10,362 OLED panels that display continuously-updating satellite footage of our tiny blue marble, representing what our planet looks like from space in something close to realtime. It replaces an earlier model covered in LED panels, offering museum-goers a full 10 million pixels, a resolution 10 times greater than its predecessor.
And like any good museum exhibit, Geo-Cosmos is interactive. Touchscreens surrounding the globe allow viewers to tap all kinds of earth science data streaming in from all over the world, like simulations showing the origin of the March 11 earthquake that devastated Japan and the dispersion of all of that energy via tsunamis that reached all the way around the Pacific. See it for yourself below.
Japanese design agency TO-GENKYO has designed an innovative hourglass shaped label for packaged meat which uses a special ink that changes color as ammonia is released inside the package. As the meat ages, it releases increasing amounts of the substance, obscuring the barcode at the bottom. Customers can quickly see if the meat is going bad – and when the barcode becomes completely covered, it can’t be scanned.
Natsumi Hayashi is a sweet-looking Japanese girl who, one day, decided to take self-portraits… of herself levitating. She can be spotted in and around Tokyo, equipped with her SLR and her self-timer. When she feels the moment strike, she presses the shutter button down and then, quite literally, “jumps” into place. What I love most about her shots is that they don’t feel forced. Natsumi has a way of making us feel as though she naturally levitates throughout life.
When Natsumi was asked by interviewer Alice how others react to her jumping around Tokyo, she told a funny story. “One day, when I was jumping at a famous sightseeing spot in western Tokyo, workers at a souvenir shop were frightened by how I was jumping. They were whispering things like ‘Is the girl mentally ill’ and ‘Do we need to call the police?’ So I stopped jumping and apologized to them by saying, ‘I am taking jumping photos for my wedding party’s slide show.’ Their faces turned bright red, and they said things like ‘Oh dear!’ and ‘Congratulations!’ and even ‘Keep jumping!’ Then, I took one of the best levitation shots of the entire series.”
A very interesting vodka bottle design made by Russian designer Artur Shraiber (Артур Шрайбер). It’s a bit peculiar as to why a Russian would design a Japanese themed bottle, but none the less, the bottle seems like cut in halves with sharp sword of samurai. And I’m sure the actual vodka is as tasty and delicious as the design.
I actually semi-enjoy doing laundry because the results always leave me in some warm, cuddly, lethargic relaxed state. Maybe it’s the combination of heat and dryer sheets that does it to me every time. But, if you told me I could leave it all behind and have clean clothes each time I opened my closet, I’d hand you my credit card. This Washing Machine for the closet takes all the cake. Designed for men (men are apparently dirtier than women), it uses a combination of humidity, ionization, ozone (O3) and air pressure to destroy bacteria and remove stains. All you do is hang up your shirts, turn it on and within minutes, the waterless system provides you with shirts worthy of a dry cleaner’s award. It may seem large and cumbersome but if you’re getting a clean shirt every day, doesn’t that mean you only need one, maybe two shirts instead of ten? Plus it’s free of chemicals meaning Earth is happy and your clothes last much longer.
Pico - "I Feer Sreepy"
The first time I saw this camera, the first thought that came into my head is “This has Kristy W. written ALL over it.” but this interesting little camera has alot more under its cute appearance than it may seem. Don’t let the designer fool you, it’s three things in one. This is “Pico,” a projector/video camera, two in one. It has a camera for an eye, a projector for another eye, and a microphone for a smile. It’s also got fold-out feet so it can stand on its own. Pico features the ability to plug a tripod into it, but that’s neither here nor there. The Pico also has the ability to Present and record at the same time, and work free of a laptop or other potentially cumbersome computer. Like the rest of this “smart object” generation, this device has the ability to do everything in and of itself. It has a full-size display on the back from whens you can also present on a more personal level. With optical zoom lenses, simple to use interface, and compactness, I just might pick one of these up for my birthday or something.
I love covering concept phones that may not have substance to them (tech-backing), but nevertheless they’re fun to find info about. Featured here is a concept Sony Ericsson FH Mobile Phone that has a pivotal point to it. It flips vertical on a pivot to mimic a phone and rotates sideways to become a viewing screen for the media functions and web browsing. The phone even becomes an intercom of sorts when split into two, allowing easy communication between the two parties holding each end (a high-tech walkie-talkie) Having this phone in public would be like rolling up to the movies while driving The Tumbler. Super diesel.
